Calenture - a leap in to the void

I have received a catalogue from an Australian artist friend, Jo Darbyshire, whose work shares my pre-occupation with undersea worlds - she describes her floating worlds series as concerned with the body in the landscape, sensuality, immersion and imagination

" Although abstract in nature, my paintings reference bodily experience 'moving over' a landscape, …'flying' or 'floating' over mountains or underwater reefs … a bodily 'letting go'; Pleasure."

Reading two downloadable essays written about her work I am struck by Gall Jones's references in The Erotics of Immersion - Responses to Floating Life to Calenture, a kind of fever whereby sailors would imagine the sea to be rolling fields and throw themselves ecstatically into it (a misrecognition she understands in terms of sensual desire). So much so that I have taken the term as the title of a new piece of work, produced as part of Land Use Poetics a group workshop and show in which I have just taken part at The Museum of Sketches, Lund, Sweden, in which I jumped 'blind' from a diving board, in a kind of homage to Yves Klein's Leap into the void

A little light relief


Surfing - a term that in this context takes on a new meaning - the net last night, in search of images which reveal a popular sense of the sub maritime, I came across a collection of photographs taken by Bruce Mozert in the 1930's of underwater tableaux. Searching more widely the predominance of images of women in underwater settings is striking revealing perhaps, in the fantastic character of these exotic projections, a deep sense of association between the feminine and the fluid along with a desire to colonise and domestic such spaces. The later being evident too in the number of underwater restaurants, shops and hotels that exist worldwide.