Uncanny

Physiographic diagram of the South Atlantic

Went to the British Library Map Room today to view Tharp's Physiographic diagram of the South Atlantic Ocean, the Caribbean Sea, the Scotia Sea, and the eastern margin of the South Pacific Ocean. It is always a thrilling moment when you are handed a carefully packaged document, that may not have been viewed for many years, from the BL’s collections . Even so spreading the map out on the table was a revelation, what emerged, fold by fold, was a richly detailed drawing of the seabed which I spent a good hour pouring over, as much for the sensual and aesthetic experience of doing so, than anything else. The drawings of seamounts, of which an estimated 30,000.00 cover the globe, resemble maps of Tolkein's Middle earth.

I have discovered that a number of Tharp maps are held in different libraries throughout the UK, including the V and A and the Maritime Museum, suggesting the possibility of a Tharp pilgrimage to view all of them. NOCS have one of the North Atlantic, which I shall investigate on my next trip there.

 

Detail - Congo Submarine Canyon and Angollan Abysmal Plane - Tharp, Physiographic Diagram of the South Atlanticc
Detail - Congo Submarine Canyon and Angollan Abysmal Plane - Tharp, Physiographic Diagram of the South Atlanticc

Avid Metamorphosis I

Avid Metamorphosis I
Exhibited: National Review of Live Art, Glasgow 1994 and ICA, London 1995

SHRINKING the miniature

SHRINKING the miniature
Commissioned by Firstsite. Exhibited: The Minories, Colchester 1996

Avid Metamorphosis II

Avid Metamorphosis II
Exhibited: Dartington Arts, Devon. 1995

Disorders

Disorders
Commissioned: Beaconsfield. Exhibited:St Thomas' Hospital, London. 1996

Hidden Seas/ Surface Waters

  • Video
Hidden Seas/ Surface Waters
Performance for camera, 1999 - Duration 11 minutes

Drawing on family experience of physical disability Hidden Seas / Surface Waters attempted to articulate a body of difference, whose boundaries remain physiologically and psychologically fluid, inverting the characteristic function of light as a source of 'illumination'.

The use of silhouettes within the work references the 18th century physiognomic experiments of James Lavater, who attempted to read from the profile of his sitters their moral and spiritual 'nature'.

Supported by a London Arts Board - London Hybrids Research and Development Award.

Production support Irish Museum of Modern Art and Arthouse, Dublin.
Residency and screening: Irish Musueum of Modern Art, Dublin. 1999
Exhibited, Spacex, Exeter. 2003

Reasoning Backwards

Reasoning Backwards
Exhibited: Dartington Arts Devon 2000

A little light relief


Surfing - a term that in this context takes on a new meaning - the net last night, in search of images which reveal a popular sense of the sub maritime, I came across a collection of photographs taken by Bruce Mozert in the 1930's of underwater tableaux. Searching more widely the predominance of images of women in underwater settings is striking revealing perhaps, in the fantastic character of these exotic projections, a deep sense of association between the feminine and the fluid along with a desire to colonise and domestic such spaces. The later being evident too in the number of underwater restaurants, shops and hotels that exist worldwide.

That Oceanic Feeling: Exhibition documentation